Thursday 23 May 2013

LUELY FIGUEIRÓ, a star from the South

Luely Figueiró was a starlet from Rio Grande do Sul who came to São Paulo in the mid 1950s and acted at many films. She would live in both São Paulo and Rio de Janeiro. Luely was also a very good singer who eventually recorded a few singles and a full album for Continental Discos.
Ângela Maria, Helenina Costa, Ernani Filho, Elizeth Cardoso, Luely Figueiró, Lúcio Alves, Carminha Mascarenhas, Norma Benguel & David Durpré (a dancer) at 'Carrossel' a show on TV Rio in 1959.
Luely Figueiró on the cover of Intervalo April 1963.
Luely Figueiró at Radiolândia, 1958. 
Revista do Rádio 1962.
Luely Figueiró at Intervalo in 1966.
'Manchete'.
Luely na capa de 'Fatos & Fotos' de 1951 e 1963. 
'O Cruzeiro'.
Luely Figueiró tells Revista do Radio (early 1959) her romance with Lucio Alves has cooled.
3 March 1960 - Luely Figueiró sings at night club Chicote on Praça Roosevelt, 247, São Paulo. 

20 May 1962 - OESP - Luely Figueiró is nominated for best supporting actress in 1961 Saci Awards granted by S.Paulo daily 'O Estado de S.Paulo' yearly.
Luely Figueiró  * 26 September 1935  + 6 December 2010.


Continental Discos release a whole album sang magnificently by Luely Figueiró.
16 November 1957 - Hungarian director Ferenc Fekete's 'A doutora é muito viva' is a vehicle for Eliana Macedo, the most popular Brazilian actress in the 1950s. Francisco Negrão tries his best as a leading man but he didn't go too far after that. Luely Figueiró starts climbing up in popularity...
9 February 1958 - Alfredo Palácios' 'Vou te contá...' in which Luely Figueiró is the leading lady supported by Cinderela and Dorinha Duval.
Luely & Zé Trindade... 
14 December 1961 - Luely shares the top female billing with Violeta Ferraz and Renata Fronzi in  'Briga, mulher & samba', a Ronaldo Lupo comedy. Elza Soares, Miltinho, Tito Madi & Ribama, Moreira da Silva, Monsueto & others do the musical numbers.
29 July 1962 - 'Correio da Manhã' says 'Luely will return' from Europe soon!' Luely was one of the star in 'Skindo',  an extravaganza performed in Lisbon and Paris. 
18 April 1963 - Wilson Silva's 'Nordeste sangrento' premieres in Rio de Janeiro. It opened in Sao Paulo in a later date. 
'O Cruzeiro', 17 February 1962.
'O Cruzeiro', 1962.
15 December 1964 - Ruth Escobar presents Brecht's 'Dreigroschenoper' with Leny Eversong & great cast in which Luely Figueiró is prominent.
5 September 1965 - As late as 1965, Luely Figueiró appears at a musical extravaganza produced by Rio de Janeiro's TV Globo, Channel 4 that had been in business not long ago.

LÊDA FIGUEIRÓ, Luely's baby sister 

Lêda Figueiró owes her short celebrity in Brazilian show business to the fact that she was Luely Figueiró's younger sister. 


26 January 1964 - Rio de Janeiro daily 'Correio da Manhã' chats with Lêda Figueiró who tells them all about her life since she was born in 1940. She was born and raised in Porto Alegre-RS and arrived in Rio de Janeiro in 1962 to live with her older sister Luely Figueiró - who had been in show business in São Paulo & Rio since 1956. 

Leda says she started as a show-girl in Uruguay, Argentina, Chile and Peru. In Rio she performed at Haroldo Costa's radio show 'Em primeiro plano', at 'Skindô', a lavish musical revue that and had bit parts in movies like 'Briga, mulher e samba' and 'Nordeste sangrento' - both vehicles for her more famous sis.

Leda says she's prone to melancholia; she fills a great emptiness inside. I don't feel I am a woman who made it. I like Alvaro Moreira's poetry and have read everything Dostoesky wrote - that is all that has been translated into Portuguese.

Leda likes Bossa Nova and says it is one step ahead. She thinks Brazilian authorities should not ban tranvestite's balls in Rio de Janeiro during Carnaval. They are the best parties in town. Sometimes Leda wakes up at night, turns her record player on and listens to the works of Rubinstein and Grieg very soflty.

About her sister Luely Figueiró: I think she's an extraordinary woman; I am her biggest fan. She's a simple girl, with a congenial personality, she's a good singer, a good actress and mainly a good human being.

Leda finally says the greatest thing she's got is her 6 year-old son Marcus Vinicius, who was born in 1958, when I was only 18.


Leda Figueiró on the cover of 'Revista do Radio' no.70416 March 1963.

Wednesday 10 April 2013

ZEZÉ MACEDO

Zezé Macedo & Oscarito a Radio Nacional in Rio de Janeiro.

Zeze & Kitty.

20 November 1960 - 'Correio da Manhã' column 'Radio & TV' Oziel Peçanha; popular comedienne Zeze Macedo says her real name is Maria José de Macedo; started on radio when she was hastely asked to replace an 'engenue' in a drama by Aldo Madureira; she was a radio announcer too; she always craved for the theatre; she felt her greatest emotion when theatre-impresario Walter Pinto asked her to be the main comedianne in his revue 'Eu quero me badalar'; she loves cats especially the common ones; she wished she was like her father: a stainless soul, a beacon of hope, a spark from God; she says: I'm very sentimental; I think love is the only raison-à-être of the universe; I love to be by myself with a good book and... dream away: whether I want to say something? 'Sim, falem mal, mas falem do cinema nacional!"  (Yes, keep on talking about the Brazilian film industry, even if you hate it'.

Zé Trindade & Zezé Macedo. 

Sunday 17 February 2013

'Susana e o presidente' 1951

Vera Nunes fazia um mocinha não muito diferente de Deanna Durbin sans-le-voix.
'Suzana e o Presidente', produção de 1951, da Companhia Cinematográfica Maristela, com seus estúdios no bairro do Jacanã, em São Paulo. 

produção & direção: Ruggero Jacobbi
roteiro: Gino De Santis, Ruggero Jacobbi e Alfredo Palácios

Nota-se que os italianos predominavam na produção, além de aparecerem como atores (Otelo Zeloni quando ainda precisava ser dublado, pois não falava quase nada de português) e personagens (Arrelia faz um italiano com sotaque forte). 

Nitidamente feito seguindo os preceitos básicos de Hollywood, com uma mocinha simpática (Vera Nunes) calcada na imagem de Deanna Durbin; um herói atlético (Orlando Villar) que não deixa nada a dever aos melhores jogadores de rugby norte-americanos, inclusive com uma cena de chuveiro onde ele pode mostrar seu porte másculo. 

Politicamente incorretíssimo, a personagem Suzana, quando procurando emprego, levanta a barra da saia, acaricia as pernas e abre o zipper da frente, numa tentativa de mostrar os seios para o futuro empregador. Tal comportamento só seria justificado em filmes pornográficos nos dias de hoje.
17 July 1951 - Tuesday - Correio Paulistano announces 'Suzana e o Presidente' for Thursday, 19 July 1951
Orlando Villar, o presidente, mostrando seu physique em cena de chuveiro.

Vera Nunes (Suzana)
Orlando Villar (Roberto)
Arrelia
Jaime Barcelos
Leônidas da Silva
Luciano Gregory
Otelo Zeloni
Leila Parisi
Armando Couto
Diná Lisboa
Xandó Batista
Zilá Maria
Benedito Corsi
Margot Bittencourt
Elisio de Albuquerque


'Batei e abrir-se-vos-á!'
Leonidas da Silva, o famoso jogador de futebol faz papel dele mesmo... A presença dele no filme é quase que injustificada. Leonidas, na verdade 'descola' um emprêgo na firma, mas 'mata hora', lendo jornal com os pés apoiados na escrivaninha. Comportamento não muito ético para os dias de hoje. 
Vera Nunes lembra Jean Arthur e Otelo Zeloni de cabelos. Zeloni é dublado no produto final.
Arrelia faz um italiano que canta tenor e soprano nos finais de semana... O número não convence. Logo em seguida um conjunto de chorinho acompanha uma cantora de voz agradável.
Vera Nunes & Orlando Villar. 
'Presença de Anita' directed by Italian director Ruggero Jacobbi in 1951, was Maristela Cinematography's very first production starring Vera Nunes & Orlando Villar. with Ruggero in the middle, giving them direction...
Maristela não era MGM e o Jacanã não era Hollywood, mas fazia o que podia para emular os yankees.
 Jaçanã studios working at full throtle...
factory of illusion... Jaçanã, São Paulo, 1951.